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Kirstyn Hom

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Meiguo

Meiguo* is an installation of sculptures and textiles based on memories from my grandmother’s home. Attempts to grasp the past become a departure for new sensibilities of (be)longing. The drop ceiling of steel wire rope weaves into a grid, which lifts and gathers gestures of mended objects. By blurring relationships between inside and outside, I hope to frame the in-between spaces that I occupy within culture, time, and place. Fabrics soaked with pomegranates, onion skins, lemon juice, and rice are joined through long durational sewing methods. Building up the textile with repetition and pattern explores practices of writing, erasure, and remembering.

*"The word miguk in Korean means 'beautiful country.' Miguk is a transliteration of the Chinese characters Meiguo, which also means 'beautiful country'...Korean people and Chinese people must call America Beautiful in order to speak its name."

-Monica Youn, “Detail of the Rice Chest”

Meiguo (welcome mat)

Acrylic Yarn, Wool Yarn

rootless yet

combed cotton voile, pomegranate dye, thread

sau pin glow

lac, linen, home video, wax dressmaking paper, wooden box

 
 

chair tear

wooden chair, hair

sour mouth, crimson bite

onion skin dye, lemon juice, cotton polyester voile, cotton batting, thread

let the spirit out

combed cotton voile, cotton polyester voile, lac dye, pomegranate dye, iron, rice glue, pattern hooks

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Funding for this project is supported by the Russell Foundation Grant

© 2022 by Kirstyn Hom / All rights reserved